Download Ebook Scales Bootcamp: The fastest, clearest way to get to know your scales, and then master them.
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Scales Bootcamp: The fastest, clearest way to get to know your scales, and then master them.
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About the Author
Philip Johnston is one of music education's best known writers and thinkers, and is a leading international expert on practicing. See more of his work at insidemusicteaching.com, or look up his piano performances at his YouTube channel (search for "Philip Johnston piano")
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Product details
Paperback: 96 pages
Publisher: Philip Johnston; New Color ed. edition (March 31, 2017)
Language: English
ISBN-10: 0958190542
ISBN-13: 978-0958190541
Product Dimensions:
8.5 x 0.2 x 11 inches
Shipping Weight: 8.8 ounces (View shipping rates and policies)
Average Customer Review:
4.7 out of 5 stars
38 customer reviews
Amazon Best Sellers Rank:
#38,846 in Books (See Top 100 in Books)
This book has been my most fun of all my music books. I'm an adult beginner and while this book won't teach you how to play music it does teach you scales and educates your hands so that they get an intimate feel for the keyboard. I'm working on the A, Am, B, C, D, E, F, and G scales and have completed between 10 and 25 (out of 128) exercises for each of these scales. At this level, I can sit down and play the scales at speeds of 120-190 bpm with few if any mistakes. When I first got the book I dove into the C, F, and G scales and worked on them quite a bit. Then I gradually added a scale every few days and put time into it at the beginning of my practice. Now I will pick the scale with the fewest achievements and knock off a few, then review the rest of the scales that I know before continuing into the other parts of the practice. Each new scale has gotten easier than the prior one as my fingers feel more "educated" and the fingering becomes easier. An exciting "ah hah" that I had was after concentrating on one of the scales for a while I gradually came to "see" the keys of the scale as separate from the other keys of the keyboard, and I was no longer thinking about the scale but just played the keys in the order that I saw them.The Achievements part of the training really works and keeps you focused on trying to get the next checkbox ticked off. This provides both direction and motivation during the practice, and some of the achievements can seem like they'll be easy but are not. For example, doing a 4 octave tour seems pretty simple (you have to do the scale 4 octaves up and down twice to satisfy an achievement), but it's easy to make one little mistake. This requires you to start over and keep at it until you get it perfect twice. So at the beginning you may have thought it was going to be easy to get it on the first try, but once you finally get it you've really done it 15-20 times (or more!), and your fingers have benefited from all the repetition.One last thing that I really like about scales is learning to improvise melodies while practicing the scales. If you have an electronic keyboard you can put on a nice percussion accompaniment at a tempo that is comfortable, and just practice going up and down the scales while varying the rhythm and skipping some of the keys to create your own melodies. This book doesn't help in this specifically, but while you are trying to push your speed up it's natural to start varying the rhythm at different parts of the scale, speeding it up to two notes per beat here and there, and eventually you're doing the whole scale at twice the initial speed. I've found this part of my practice to actually be the most fun.My plan is to gradually add the rest of the major scales to my practices, and then the minor ones. I can easily see this book being a regular component of my practicing for the next year or more. And I also doubt that I'll ever complete all 125 achievements of any of the scales as some are pretty tricky and look very difficult. I'm thinking that once I reach a certain level of proficiency with the scales, I'll be putting that extra time into learning new pieces instead of getting every last achievement out of the scale book. But, I'm not there yet so I'll have to wait and see how I feel when I get there. :-)
I've always known the major, minor and harmonic minor scales but to play them at great speeds is a whole other challenge. This book is not easy, but it seems like the most direct route a pianist could take to become more effective. The only thing I can't understand about this book is the "splatmaster" exercise. The instructions don't tell how to play it exactly. It seems like they're telling you to press down four keys at the same time. But why on earth would you press down on b and c or e and f in a harmonic minor at the same time? You end up with minor seconds, dissonance. Also, it's not something you would ever play. I guess I am probably not understanding the directions of that exercise. If anyone can clear it up, I'd be grateful. Other than that, however, it really is an awesome book - as far as I am, which is not far - It hasn't yet been a week. But I am optimistic!
Love this book! Fun & addictive way to learn scales. Largely self-taught piano as a young teen, missed out on learning many of the fundamentals, including scales & fingerings. Now in my 40’s, I’m enjoying acquiring these skills. I’m also finding that many of the exercises are sneaking in other skills as well (e.g. dynamics, articulation, memory, speed, etc). The only thing I would change is to publish it with a spiral binding-but this was easily fixed at my local Kinko’s. Highly recommended!
I love it, but my piano teacher doesn't think it's so great. She wants me to learn scales by reading music, not finger positions. I'm afraid I have to disagree with her. This book is a great help to me.
I use Hannon for years, but this book approaches the scales by the method of divide and conquer, and it's easy to find the scale of interest at a glance, nicely color coded.
Absolutely awesome. As a novice piano player, I have found this book to be incredibly valuable. I love practicing scales, and the many options for "drills" (4 Octave "Tour", Contrary Motion, Super Slow-Mo, etc) keep things fun and interesting. Thanks, Mr. Johnston for a wonderful resource.
Sorry, it doesn't work for me. Although I suspect that Mr. Johnston is a good pianist and teacher, I just didn't see any advantage to the numbers, shapes, and color coding. Also, there is no reference to traditional musical notation that most/all of us follow. It would have been helpful to have the associated notation on each page. I tried to find some help on how to use the system, but the linked web pages were mostly narrated product promotion with annoying background music. You might also consider Amazon's Alfred's "The Complete Book of Scales, Chords, Arpeggios, and Cadences", especially if you are an adult learner.
Very clear, easy to communicate to little ones.
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